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The online presentation, advertisement animate from the Soraya Nazarian Center for the Performing Arts, premiered July 31, 2020.
DIAVOLO Architecture in Motion presents This Is Me: Letters From The Advanced Lines.
The online presentation, advertisement animate from the Soraya Nazarian Center for the Performing Arts, premiered July 31, 2020. The accident began with a altercation amid Thor Steingraber, Executive Director of the Soraya and the Founder and Artistic Director of Diavolo, Jacques Heim.
They discussed acclimation via Zoom, planning how they would undertake the call and filming of this allotment during the pandemic. Aback they brought in Aaron Mendez, their activity began to formulate. He brought in a Cinematographer, Lighting designer, an Editor, etc., and the accommodation was fabricated to apprehension every one of the dancers, as Jacques put it, for “weeks and weeks and weeks,” and again attempt for eight canicule with crew, demography all adapted cautions seriously.
Jacques batten of advertent a new way of “using” his art. His advancing project, The Veteran’s Project, has accustomed him a new purpose and mission, and this: “This Is Me: Letters From The Advanced Lines,” stems from his antecedent assignment up until now, with his artistic apperception absent up these images to accompany the exact accounting words.
Each of the announced portraits that are imparted affection the writers of their own stories.
The capacity are adamant out by them speaking their words, in the average of abounding ever-changing abstruse and absorbing affective sets while actuality added by some abundantly athletic, accomplished and adventuresome dancers, physically interpreting those words.
Making Art that Makes a Difference, is aboriginal and foremost in the minds of best artistic bodies at this time, and this is a admirable archetype of adorning our adventures for the account of others, in an artful, adventurous and seering way.
This blazon of presentation is not accessible to alike and succinctly put together. The accomplished address is starting to appear as addition art anatomy in and of its’ self. Talk about charge to the work: The absolute Diavolo Ball Aggregation abandoned all at the aforementioned time for all those weeks to be able to assignment on and blur this activity of love, because of and in animosity of the advancing pandemic! Area there’s a will, there’s a way, and about every ballerina I apperceive has accepted they accept the will to persevere.
The timing in the choreography, and the beheading of it, is miraculously attempt to get the best aftereffect at all times. It’s daring, exciting, animate and spectacular, all formed into one.
Each address begins with three words, “This is me”; again we apprentice about these advanced band workers and what it is like to accept their job and albatross aggravating to advice bodies break advantageous and alive.
The assortment of the testaments and how they were portrayed, were aqueous and abounding in and through the dialogue, adventurous and expressively through their movements.
The dancers were absolutely the beheld focus and added addition ambit to apropos the stories, authoritative the words, the adjectives and verbs appear animate added vividly.
Honoring the “front-liners” in our accepted all-around pandemic, the doctors, nurses, veterans, 1st responders, et al, we get a faculty we’ve bare to apprehend of their experience, and they’ve bare to broadcast it. It’s the advertisement of 18-carat affliction and sorrow, and the cry for healing and affinity and the charge for backbone and resilience.
Diavolo is such an absorbing company. The allusive highlighting of the belief told through music and movement shows the struggles and victories of the animal spirit. What’s missing is depth. If the narratives were added personal, philosophical/insightful, it would accord Diavolo a claiming to acceleration to, physically as able-bodied as to the storytellers, as they braid the ball of their experiences.
Jacques Heim has been accommodating with Diavolo for 27 years, which is absolutely time abundant to band with the company, authoritative the aftereffect alike added acutely affiliate and altogether timed. Everything’s aciculate and in accord aback needed, or abnormally aqueous and limber.
The “WARRIORS” as they are called, were asked to address about their adventures and feelings, their difficulties and their revelations, during this stressful, ambiguous time. With one camera, and eight dancers the activity came alive. The camerawork abandoned is account the watching, giving an all-over breeze to the absolute piece.
Warrior France Nuyen Vincent starts us off on the adventure of activity from our barometer to our “new norm” with anybody cutting masks and the abstruse acceptable the reality. We are abstemious from one adventure to addition by the connected movement by the dancers and sets, as they acclimatize to anniversary added and backpack the anecdotal advanced with anniversary transition. Sgt. Taylor Grayson, from the U. S. Army; Marietta Keating, an ICU Nurse, ironically positioned on a behemothic rolling caster the dancers bound on and off of, as it moves, constantly, alteration the acumen of the absolute picture.
The actual acute and burning timing bare to accomplish Diavolo’s assignment puts these dancers in their own category. The athleticism and gymnastic adeptness is amazing. The morphing sets are compelling. The lighting is so able-bodied anticipation out and enhancing. Lucas Haas, an EMT, La’Vel Stacy, US Navy, Shannon Corbeil, an Intelligence Officer/U S Air Force, Christopher Loverro, a US Army Veteran, who volunteered afterwards 9-11 to action in Afghanistan, assuming that acquaintance through action gymnastically through entwined poles, backlit with the red cast of war.
Dr. Sasan Najibi, MD, a vascular surgeon at a Burbank hospital in a alluring arena area he, little by little erects a anatomy of cocked poles while answer the alpha of his journey, bringing us up to area he is now. The apologue of the agreement of the poles, the changes that action aural this section, and the ability of the movements are actual mind-capturing. During this area there are abounding aback handsprings, advanced and aback walkovers and added gymnastic feats that serve to addition the furnishings of the intent. A aggressive and accomplished humanitarian, Dr. Najibi afresh formed with his hospital to architecture and body a abstracted architecture appointed to the affliction of Covid patients, complete with over 100 ICU beds and ventilators.
The estimation of this allotment is aggregate amid him and the allegorical poles and a changeable ballerina who helps body the drive by dancing added deliberately, stronger and with added conviction, in and out of the poles. She climbs the cocked poles to their tops, acclimation alarmingly but bent to lay atop, continued out fully, adverse the ceiling. As the aerial camera pans over her, smoke fills up the stage, she takes off the affectation and begins to breathe in, deeply, acceptable calmer with anniversary intake.
Again the apparatuses change to all altered types of platforms that the dancers ball through, about and in. The gymnastic accomplishment and boldness is unparalleled.
As the allotment ends, music swelling, growing louder, we are aback area we started, musing, “I admiration what gives them the backbone to acceleration every morning, lately…”
A adduce by Maya Angelou fills the screen: We may appointment abounding defeats, but we charge not be defeated.”
There are abbreviate bios afterwards of anniversary aerialist answer their adapted backgrounds and accepted goals.
Personnel for This is Me: Letters from the Advanced Lines
Jacques Heim Director/Choreographer; Jim Vincent Artistic Consultant, Dramaturg; Aaron Mendez Cinematographer, Editor; France Nguyen-Vincent Performer/Writer.
Warriors: Susan Najibi, Doctor; Mariella Keating, Nurse; Anthony Keating, EMT; Tyler Grayson, Army; La’Vel Stacy, Navy; Shannon Corbeil, Air Force; Chris Loverro, Army.
Jean-Yves Tessier Lighting Designer; Chris Mendez Assistant to Aaron Mendez; Noah Alexander Sound Operator; Simon Greenberg Sound Engineer; George Simian Photographer; Dusty Alvarado Producer; Amy Tuley Activity Manager; Jose Hernandez General Manager.
Diavolo performer: Majella Loughran; Rehearsal Director/Performer: Kate Dougherty: Assistant Rehearsal Director/Performer: Steven Jasso Technical Director/Performer; Matt Wagner: Safety Coordinator/Performer; Abraham Meisel Archivist/Performer; Derion Loman: Performer; Daniel Jacob Glenn: Performer; Evan Turner: Performer; Kelsey Long: Performer; Lex Shimko: Performer; BethanyRose Boutwel: Performer.
You can appearance at any time: https://www.youtube.com/watch?v=bn10eZLXOec
For added advice amuse appointment www.thesoraya.org
Photos Courtesy of Diavolo Architecture in Motion (DIAVOLO Dance) George Simian
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