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Keith Brymer Jones is talking about pots and crying. “I get emotional,” says the adept potter, “because it’s a ability I love. It is my life. Aback I see a potter communicating their adroitness via article they’ve made, I can’t advice but cry. You’re watching acuteness appear to life. It’s so special.”

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Crying over pots has become article of a USP for Jones, anytime aback he took to our screens in 2015 as one of the two board of The Great Ceramics Bandy Down, a craft-based antagonism in the attitude of Bake Off and Sewing Bee, agreement hopefuls abaft the alternating caster for their adventitious at aesthetic success. Jones has cried at aggregate from aerial arrange of bowls, to vases, sculptural forms and a airy tea set. Area Paul Hollywood has his handshake of yeast-based approval, so Jones has his tears of kiln-fired delight.

Yet this is no gimmick. Speaking to an overall-clad Jones by video articulation from his art flat in Whitstable, Kent, it is bright that ceramics is his aspect and advice that affection to awning is what has fabricated the appearance such a acclaim alluring success over its four series. Jones had an “epiphany” aback he aboriginal apparent adobe in art chic as an 11-year-old. “The moment I affected the clay,” he says, “I realised this actual was actually for me. It’s this living, affective affair you’re creating from and I couldn’t get abundant of it. Aback I accomplished the sixth form, I acclimated to applesauce off academy and go to the V&A museum, area I’d absorb all day attractive at pots and account up on them. Almost 40 years later, I’m still learning.”

It wasn’t his ceramics accomplishment that initially becoming Jones a atom on TV but a video he fabricated abusive Adele and her hit Rolling in the Deep. Stuffed into a dress and heels, he sings: “There’s a blaze / Starting in my anhydrate / Hotter than that ceramics arena / In that Patrick Swayze film.” The YouTube clip, blue-blooded Rolling Adobe with Keith, begin its way to Bake Off ambassador Richard McKerrow. “I was in a jailbait bandage as a teenager,” says Jones. “That jailbait appearance has backward with me. I don’t booty myself too seriously. Anyone can beam at me or with me. It’s actually fine. But the one affair I do with a affection is booty my ability actual seriously.”

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Jones was sceptical about the address of a ceramics appearance aback he was aboriginal approached, though. “I said ceramics on telly would be like watching acrylic dry. I additionally didn’t appetite to accomplish a programme that sets bodies up to fail. I didn’t appetite to do an X Factor. I accept too abundant account for the craft. And, to the show’s credit, it angry out annihilation like that at all. It has consistently acclaimed the virtues of the potters. It has appear a admirable process.”

Indeed, the architecture of the Channel 4 appearance is advised to highlight anniversary aggressive potter’s aesthetic development. We alpha with 12 agog home practitioners and one is alone anniversary week, accepting been set a above authoritative assignment and addition speed-throwing against-the-clock challenge. This year, they accept accelerating from apprehensive alcove pots to art deco bite bowls with analogous decanters, which is the claiming in the final this Sunday. In the American-themed division final, they had to accomplish ceramics accursed in cow dung and bandy an Alabama arena bottle, which looked impossible. Afresh there was the amusing additional division adventure area they were asked to accomplish absolute toilets, which kept collapsing. Meanwhile, the handle-pulling claiming was one of the best phallic episodes anytime apparent on TV.

Siobhán McSweeney, the Derry Girls amateur who presents this latest season, thinks adherence has been key to the programme’s appeal. “There’s a abridgement of agenda. It’s not about sob belief or abetment – it’s a amount of bodies absolutely aggravating to do their best and assuming accurate creativity. You can’t abate the actuality that these contestants are absolute nerds about pottery. Of advance they appetite to win, but they would additionally usually not be able to allow all this adobe or get acknowledgment on these new techniques. It adds an added ambit of 18-carat curiosity, which mirrors the audience’s.”

It is a concern that McSweeney was accustomed to analyze herself during filming. “It turns out application the caster is absolutely hard,” she laughs. “It’s absolutely physically ambitious and, like aggregate in my life, if at aboriginal I don’t succeed, I tend to bead it. So now I’m on to embroidery.”

Still, it acute her acknowledgment of the potters, all of whom abandoned with the aggregation in a balloon at Gladstone Ceramics Building in Stoke-on-Trent for 11 weeks of filming in 2020. “Getting the alarm to present the appearance was a godsend,” she says. “I had a actual boxy aboriginal lockdown because I was careful and I was advancing off the aback of a asperous brace of years accepting accomplished a cardinal of bereavements. Actuality able to do article so wholesome like this appearance in the countryside, and to be assured of my safety, was incredible. It meant that for the aboriginal time in a continued time, I wasn’t afraid about my life. I didn’t charge to get up at 4am and dress in a behemothic condom to airing about the block. I could be in the fields instead. I came aback rejuvenated.”

Rich Miller, who is the added adjudicator in the show, echoes these sentiments. “The appearance has been a massive highlight in such a boxy year,” says Miller, over the complete of adobe actuality slapped bottomward on a adjacent board in his studio. “You can’t advice but be aggressive by bodies absolutely blame themselves. And the adobe responds to the minds of the makers, so the adroitness is infectious. I acquainted a absolute albatross to animate bodies to accumulate improving.”

As the show’s above flat assistant, Miller acclimated to accept the nerve-shredding job of accustomed the contestants’ completed works to the dehydration racks and afresh into the kilns, acquisitive not to accident them on the way. Does Miller, like Jones, anytime feel bathetic aback the creations are placed afore him? “You’re celebratory the accomplished action they go through and you aloof appetite them to succeed. That’s why Keith gets so affecting – you get invested. I was abutting to arrant a few times but I anticipation I’d bigger not footstep on Keith’s toes. Maybe it’ll appear abutting time.”

Crying or not, Miller has a analogously claimed affiliation to adobe as Jones. “I struggled through school,” he says, “being the alone atramentous kid out of about 1,500 added students. But ceramics was a absolute conservancy because it’s all about the material. It doesn’t amount who you are, area you are, or what you’re making, aback we’re all aloof aggravating to do the aforementioned thing: about-face this actual into article permanent. Even today, aback I’m authoritative something, I lose myself in it. I adulation the possibilities with clay. It feels like there are no boundaries.”

Jones thinks that, as able-bodied as the audacious self-expression the appearance unlocks, there is a assignment to be learned: “We charge to get aback to an honest accord with the accustomed abstracts we use in the world, an compassionate of the ability that goes into authoritative something, rather than assured aggregate to be accumulation produced and cheap.”

He holds up a cautiously anesthetized espresso mug and saucer. “This allotment was accustomed to me by one of the potters on the aboriginal series, a guy alleged Nigel. He was a architect and he had a absolute affair with his added architect mates giving him jibes about actuality on the show. But he produced this abundantly aerial piece. It was such a abruptness to accept this assignment from him. I adulation that, in life, you don’t apperceive aback addition is activity to abruptness you like that, to absolutely baffle your expectations. Isn’t that beautiful? I accept to stop now contrarily I’ll alpha arrant again.”

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