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World-famous Spanish artist Salvador Perez Arroyo accustomed in Vietnam aback in 2009 and absitively to break in the country area he discovered an amaranthine antecedent of absolute energy.



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He’s amenable for cogent projects about the world, such as the 100m-high Moncloa Tower in Madrid. In 2009, he accustomed a alarm to work in Vietnam, and that’s back he fell in adulation with the country and absitively to authorize a aggregation here, alive out of Quang Ninh, Hanoi and Da Nang.

One of his best notable works in Vietnam is Quang Ninh Museum, which is a must-see destination for tourists to the arctic arena of Quang Ninh. The altered architectonics combines history, ability and the tourism abeyant of the province, and has become a popular spot to booty photos.  



Arroyo was built-in in 1945 in Madrid but currently lives in Hanoi. He has lectured at universities in England, Italy, Poland and the Netherlands, in accession to actuality a apostle at all-embracing conferences in Berlin and Copenhagen. He has additionally accustomed 50 global architecture awards.

Besides architecture, Arroyo additionally has a affection for photography. Since 2009, he has been taking photos that candidly reflect absolute action in cities beyond Vietnam.



His first abandoned exhibition captivated in July in Hanoi featured black-and-white photos absorption action and ability in modern Vietnam, extracted from the book Happy Streets.

Though the aperture commemoration was annulled due to the COVID-19 pandemic, the exhibition still drew absorption from local visitors.

The book Happy Streets is a sociological agreement on avant-garde Vietnamese association through photography. The artist studies abreast Vietnamese action in cities through the interactions amid its citizenry in accessible spaces.

“I was attractive into my cogent action aeon in Vietnam to bottle these appropriate instants in accessible burghal spaces: streets, squares or landscapes,” said Arroyo.

“I was attractive for blessed and acute images to address a absolute bulletin about action and ability in Vietnam. This is the acumen you will not acquisition archetypal pictures like conical hats or achievement workers in this book.”

Arroyo accepted that Vietnam today is a avant-garde country which changes quickly every year.

“Public spaces are abounding of creativity, action and adolescent people. We additionally can’t say Vietnamese artery ability is far from tradition. The chat ‘fusion’ can be acclimated here.”

“It’s consistently a big abruptness to acquisition avant-garde action accurate by adolescent bodies but altogether alloyed with acceptable roots,” he added.

He explained it’s the acumen why he and added foreigners are admiring to Vietnam.

The best to use black and white was an advised decision to draw absorption to things that are connected and unchanging. According to the architect, the atramentous and white makes the image “reduced to its capital qualities”.

“Thanks to the absence of colour, the chase for the capital is the archetypal basic that appeals to the best announcement of the agreement itself in the eyes of the public.”

He called the book Happy Streets because from the beginning, he was afflicted by the action and acute action he can adore by walking on the streets and celebratory the surrounding life.

Most of the photos are about burghal action and people’s portraits, however, he has additionally reflected cogent landscapes which are accepted among foreign tourists such as Hanoi’s Old Quarter, a lotus pond near West Lake, the Temple of Literature, Sword Lake and Ba Vi National Park.

“This book is not committed to landscapes; I am added absorbed in bodies in accessible burghal spaces but I like the photo taken in Ba Vi because it displays so acutely to me the animal calibration in advanced of nature,” he said.

“You should appear in the morning while the brume still rests in the air. The acute clamminess and the aroma of the beginning backwoods brings a absurd experience.”

The artist has accomplished a appropriate adulation for Hanoi. He spends hours visiting tourist attractions or contemplating a artery bend with a cup of coffee.

He enjoys afterward the baby streets and absent corners of Hanoi. Walking around the old city is a amusement for him.

“You can affix and ascertain abounding places and appropriate bodies who bound become friends,” he said.

“Hanoi was congenital with over hundreds of layers, and abounding of them are still present alloyed with avant-garde construction.”

Arroyo does not accede himself an able in this field. But alone acceptable photographs absolution belief and absolve in the eyewitness the anecdotal estimation of the captured reality.

“Through photographs, I abduction today’s Vietnam: a absolute antithesis amid change and the best accurate Vietnamese traditions,” said Arroyo.

The ability of artery ability gives him the befalling to accept the country in a altered way. The acquaintance consistently brings blithesome discoveries and helps him accept how baby the differences are amid altered cultures. VNS

Minh Thu

Black and white photos absorption action and ability of avant-garde Vietnam by Spanish artist Salvador Pérez Arroyo is on affectation at an exhibition at Vietnamese Women’s Museum, Hanoi.

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