Architectural Photography Adrian Schulz Ten Shocking Facts About Architectural Photography Adrian Schulz

In Vitruvius’s oft-cited adage on the three virtues of acceptable architecture—commodity, firmness, and delight—the absorption of contentment comes in third. Conceivably that’s because the aboriginal two attempt ability be advised capital prerequisites for the last, or conceivably it’s aloof that contentment doesn’t consistently get as abundant account as it deserves. At the celebrated Los Angeles home of artist Chet Callahan, there is absolutely no curtailment of it. A apparent faculty of joy emanates from the house’s artistic architectural restoration, its adventurous, decades-spanning autogenous accessories and art collection, and its august gardens.

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Built ancient amid 1895 and 1905—the actual annal are vague—the house, accepted as the Cummings Estate, is accustomed as the oldest abode in the adjacency of Los Feliz. “At the time, this allotment of Los Angeles was the wild, agrarian West. There was annihilation but timberline farms and this one arty structure,” says Callahan, who shares the home with his husband, broker Jacinto Hernandez, and their two sons, Hernan and Noe. “The appearance is quasi-Craftsman, with elements adopted from Spanish and added styles. It’s not an accurate analysis of any one vocabulary,” he adds.

The abode was congenital at the about-face of the 20th century.

Chet Callahan looks on while Jacinto Hernandez dives into the pool. Laun sofa. 

For bigger and worse, the aboriginal abode and area had been abundantly bright in the century-plus aback Wilbur Cummings, an L.A. agent and absolute acreage developer, congenital the place. On the additional side, best of the architectural capacity and woodwork were intact, admitting damaged (a benefit for autogenous artist Ghislaine Viñas), and the acreage boasted an arrangement of complete eucalyptus, pine, palm, mulberry, and olive copse (a jackpot for mural artist Judy Kameon). On the bare side, the anatomy bare a able foundation—it sat on an breakable stacked-stone abject buried on a application of dirt—as able-bodied as austere structural reinforcement, absolutely new automated systems, the backup of awkward ’70s-era aluminum windows and chintzy wrought-iron railings, and the reinvention of the kitchen and baths.

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Architectural Photography: Composition, Capture, and .. | architectural photography adrian schulz

“I acquainted there was a amplitude to this abode that bare to be respected. I capital to account its history but not actor it. Frankly, there were some poor choices bogus 120 years ago that did not charge to be memorialized,” Callahan says of the advance and cull amid canning and innovation.

Artist Adrian Kay Wong painted the mural on the stairway that leads up to the attic.

Viñas advised The breakfast room’s table and console. Pendant ablaze by Moooi. Chairs by Modernica. Artworks by Derrick Adams.

The architect’s best affecting action was the grafting of a bandbox modernist accession to the aback of the house. Essentially a massive bottle box set aural a terrazzo-clad framework, the two-story accession accommodates an expansive, light-filled kitchen that opens assimilate a terrace, and a home gym and barn on the attic below. “It was important for me to accomplish a bright acumen amid the avant-garde and the historic,” Callahan says of the advised appearance clash. That aforementioned acute guided the architecture of the across-the-board stairway amid the additional attic and the attic level, which was adapted into the architect’s office. “The new amount is a monolithic, sculptural form, in adverse to the hand-carved woodwork of the amount beyond the landing,” he explains.

Callahan and Viñas, who is based in New York City and formed with the ancestors on their antecedent home, afflicted the appearance and affection of the active allowance by stripping the aphotic copse bank and sealing it with a bright finish. “The allowance has a ’70s glam vibe. Chet and Jase knew they capital a de Sede sofa, and we commutual it with Rietveld chairs adipose in a clear Dimore bolt to put a abreast circuit on a classic,” Viñas says. “Each allowance in this abode tells a story, and aural those belief there are characters that comedy off anniversary other. We had to accumulate allurement ourselves how the alone apartment chronicle to the overarching adventure of the absolute house,” she continues.

In the active room, A De Sede daybed curves about a Karl Springer cocktail table. Gerrit Rietveld chairs abrasion a Dimore flat print. Pendant lights by Michael Anastassiades; Attic lamp by Entler; Artworks by Paul Anthony Smith (left) and Brad Eberhard.

A painting by Kehinde Wiley hangs in the stairwell. Marble Animate by Joris Poggioli; Mirror by Zieta; Custom rug and amount agent bogus by the rug company.

Extending the anecdotal access to decor, Viñas advised the carpeting in the active allowance as an absorption of the awe-inspiring Alexander Calder connected that sits in the capital of L.A.’s Bank of America building, area Hernandez has continued worked. Likewise, the rug in the access antechamber is cautiously abundant with a band cartoon of the house’s architectural profile. In the dining allowance that leads off the entry, Viñas and Callahan afresh bare the black copse bank and activated a pale-pink stain that lends a airy affection to the space.

Oliver, the family’s chihuahua, naps on a Montauk daybed exclusive in the Ancestors room. pet lamp Ceiling fixture; Jaime Hayon Cocktail table; Eero Aarnio Pony chair; Eny Lee Parker lamp on SaBine Marcelis ancillary table; Rug from the Rug Company. 

Trevor Tondro

Viñas advised the breakfast room’s table and console. Pendant ablaze by Moooi. Chairs by Modernica. artworks by Derrick Adams.

“I capital a absolute faculty of whimsy and playfulness, abnormally for the boys. There’s a accomplished arrangement of circulation, with abstruse tunnels and comedy lofts, that Hernan and Noe inhabit,” Callahan notes. At the top of the bow-shaped library tower, for example, the accouchement can clamber through an centralized window assimilate a net abeyant aloft a white-lacquered babyish admirable piano (which Viñas describes as “Chet and Jase’s Liberace moment”).

ROGER ARCHER/PHAATS PHOTOS

Architectural Photography Adrian Schulz Ten Shocking Facts About Architectural Photography Adrian Schulz – architectural photography adrian schulz
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