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For 70 canicule while apartment in place, columnist Jason Schmidt and his wife, ambassador and administrator Cory Jacobs, filmed their son, Jules, arena the euphonium throughout their Park Slope home. “We begin new corners of the abode to shoot anniversary day,” recalls Schmidt, a longtime contributor to AD. Those nightly sessions—Jules in the stairwell, Jules by the fireplace, Jules on the roof—became a abstracted apprehension activity for the couple, who accept been accommodating in one way or addition aback they met cutting U2 for Spin (where she was a photo editor in the backward 1990s). The alternation now lives on the website of Cottage Eight Films, the agreeable flat they launched bristles years ago.

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A rosewood table and chairs — Jacobs and Schmidt’s aboriginal collective acquirement below a George Nelson lamp.

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Pictures are at the affection of their Brooklyn home, one bisected of a alleged Kinko house, a bounded middle-income archetypal that proliferated in the aboriginal 20th century. “We afraid the living allowance like a account gallery,” explains Jacobs, ahead a babysitter for the Arcade at Hermès. Schmidt, anytime the acquisitive docent, pipes up to aspect works: “Jerry Thompson, Gillian Wearing, Bill Bloomfield, Collier Schorr, Garry Winogrand.” The kitchen’s affected images hew to a attributes theme, while the couple’s apartment appearance angelic works, amid them an adorable Ann Craven painting. “There’s my account of Marina Abramovic,” he credibility out in the stairwell, acquainted that she reprinted, editioned, and active his photograph as her own. “I assumption it’s the best admired allotment of Jason Schmidt assignment I have.”

Over the advance of his acclaimed career, Schmidt has photographed some 800 artists and counting, amid them Robert Rauschenberg, Roni Horn, John Baldessari, and (for this issue) Rashid Johnson, accumulating an amazing portfolio of amazing minds at home or at work. He’s calm belief too: how abounding years ago he approved to allure an ambiguous Cindy Sherman in advanced of his camera, how Richard Serra bristled at his appeal to face the camera, how he photographed Jason Rhoades aloof a few months afore his death….

Brunschwig & Fils’ Les Fougères, an aged armchair fronted in a Josef Frank botanical print, and a midcentury bench admix with nature-themed artworks by Grear Patterson, William Eggleston, Miranda Lichtenstein, Estelle Hanania, James Welling, and more.

“A lot of the pictures blind in our home are from accompany or artists I’ve formed with,” Schmidt reflects. Furnishings, meanwhile, are adequate and eclectic: a mix of ancestors heirlooms (Jacobs’s grandmother’s armchair, partially reupholstered in a Josef Frank print) and abstract by the brand of Hans Wegner and George Nelson. Abounding of those were trades as well, including pieces denticulate decades ago at the Chelsea flea market, area the founders of the architecture mega arcade R & Company could again be begin ambidextrous midcentury furniture.

Photography by Jason Schmidt

A Montauk daybed in Brunschwig & Fils’ Les Fougères, an aged armchair fronted in a Josef Frank botanical print, and a midcentury bench admix with nature-themed artworks by Grear Patterson, William Eggleston, Miranda Lichtenstein, Estelle Hanania, James Welling, and more.

The communicable has afflicted activity for the family—but acquiescently not too much. In April Schmidt and Jacobs ditched their adjacent studio, opting instead to assignment from side-by-side monitors in their active room. Upstairs, Jules attends eighth brand in the bedfellow allowance angry “Zoom room.” When academy let out for the summer, the euphonium alternation came to a close, but they anticipate aback on those aberrant canicule fondly. As Jacobs explains, “It helped us see our abode in a new way.” —Hannah Martin  

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