Architecture Adalah 1 Reasons You Should Fall In Love With Architecture Adalah

Miraculously preserved in the admirable ambience of an Alpine valley, the Abbey of Wies (1745–54), the assignment of artist Dominikus Zimmermann, is a masterpiece of Bavarian Bizarre – exuberant, colourful and joyful.

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Description is accessible beneath authorization CC-BY-SA IGO 3.0

Miraculeusement conservée dans l’écrin d’une vallée des Alpes, l’église de Wies (1745-1754), chef-d’œuvre de l’architecte Dominikus Zimmermann, est probablement l’expression la additional parfaite du bizarre bavarois, exubérant, allègre et coloré.

Description is accessible beneath authorization CC-BY-SA IGO 3.0

ما زالت كنيسة دي فيز (1745-1754) في حالة ممتازة وهي تقع في كنف وادي من وديان الألب. إنها تحفة فنية للمهندس المعماري دومينيكوس زيمرمان وهي على الأرجح أجمل تعبير لنمط الروكوكو البافاري المليء بالحيوية والفرح والألوان.

source: UNESCO/ERI Description is accessible beneath authorization CC-BY-SA IGO 3.0

维斯教堂(1745至1754年)坐落在风景秀美的阿尔卑斯山谷中,保存十分完好,是建筑师多米尼克斯·齐默尔曼(Dominikus Zimmermann)的作品,是巴伐利亚洛可可风格的优秀代表作。整个作品充满了活力,欢快而且色彩丰富。

source: UNESCO/ERI Description is accessible beneath authorization CC-BY-SA IGO 3.0

Церковь в Висе, построенная в 1745-1754 гг., чудесным образом сохранилась в живописной альпийской долине. Это пышный, красочный и преисполненный радости шедевр баварского рококо работы архитектора Доминикуса Циммермана.

source: UNESCO/ERI Description is accessible beneath authorization CC-BY-SA IGO 3.0

Conservada milagrosamente en el corazón de un valle de los Alpes, la iglesia de Wies (1745-54), obra del arquitecto Dominikus Zimmermann, es una joya del arte rococó bávaro, exuberante, alegre y lleno de color.

source: UNESCO/ERI Description is accessible beneath authorization CC-BY-SA IGO 3.0

source: NFUAJ

De Kerk van Wies werd gebouwd van 1745 tot 1754 en is goed complete gebleven in de prachtige omgeving van een Alpenvallei. De kerk is gebouwd aperture de artist Dominikus Zimmermann en geldt als een meesterwerk van de Beierse Bizarre kunst; uitbundig, kleurrijk en vrolijk. In 1738 gebeurde er een wonder: een eenvoudig houten beeld van Christus werd niet meer vereerd aperture de Norbertijnen en een aantal gelovigen zag het beeld in tranen. Er werd een houten kapel gebouwd om het miraculeuze beeldje te eren. Vanwege de grote toename van pelgrims besloot de abt in 1745 een schitterend heiligdom te bouwen.


Brief synthesis

The altar of Wies, abreast Steingaden in Bavaria, is a crusade abbey abnormally well-preserved in the admirable ambience of an Alpine valley, and is a absolute masterpiece of Bizarre art and artistic genius, as able-bodied as an aberrant affidavit to a acculturation that has disappeared.

The apple of Wies, in 1738, is said to accept been the ambience of a phenomenon in which tears were apparent on a simple board amount of Christ army on a cavalcade that was no best admired by the Premonstratensian monks of the Abbey. A board abbey complete in the fields housed the amazing bronze for some time. However, pilgrims from Germany, Austria, Bohemia, and alike Italy became so abundant that the Abbot of the Premonstratensians of Steingaden absitively to assemble a baroque sanctuary. Consequently, assignment began in 1745 beneath the administration of the acclaimed architect, Dominikus Zimmermann, who was to construct, in this pastoral ambience in the foothills of the Alps, one of the best able creations of Bavarian Rococo. The choir was adored in 1749, and the butt of the abbey accomplished by 1754. That year, Dominikus Zimmermann larboard the burghal of Landsberg to achieve in Wies abreast his masterpiece, in a new abode breadth he died in 1766.

The church, which is egg-shaped in plan, is preceded to the west by a semi-circular narthex. Inside, accompanying columns placed in advanced of the walls abutment the capriciously cut-out cornice and the board aggressive with its bedfast profile; this defines a additional autogenous aggregate breadth the ablaze from the windows and the oculi is cleverly diffused both anon and indirectly. To the east, a continued abysmal choir is amidst by an high and a lower gallery.

A different affection is the accord amid art and the countryside. All art forms and techniques acclimated – architecture, sculpture, painting, adhesive work, carving, ironwork, etc. – were melded by the artist into a perfect, unified whole, in adjustment to actualize a chiffon spatial anatomy of ablaze and form. The arresting adhesive adornment is the assignment of Dominikus Zimmermann, assisted by his brother Johann Baptist –  who was the painter of the Elector of Bavaria, Max-Emmanuel, from 1720. The active colours of the paintings accompany out the sculpted detail and, in the high areas, the frescoes and stuccowork interpenetrate to aftermath a ablaze and active adornment of aberrant affluence and refinement. The affluence of motifs and figures, the alteration of the lines, the accomplished aperture of surfaces, and the ‘lights’ always action the eyewitness beginning surprises. The ceilings corrective in trompe-l’œil arise to accessible to an irised sky, beyond which, angels fly, accidental to the all-embracing animation of the abbey as a whole. 

Criterion (i): The altar of Wies, a crusade abbey complete in the accessible countryside, is a absolute masterpiece of Bizarre art.

Criterion (iii): The Crusade Abbey of Wies is an aberrant affidavit of cultural and religious traditions. 


In this sparsely acclimatized area, in complete solitude, it was accessible for a religious and architectural abstraction to be accomplished unhindered. The site, therefore, contains all elements all-important for Outstanding Universal Value. There are no immediate, adverse furnishings of development and/or neglect. 


The ambience is absolutely untouched. Anatomy and design, actual and substance, use and action of the Crusade Abbey of Wies accept remained unchanged. 

Protection and administration requirements

A amount and a absorber area accept been articular to ensure the abiding aegis and abiding canning of the beheld and congenital candor of the Crusade Abbey of Wies and its actual surroundings.

The laws and regulations of the Federal Republic of Germany and the Free State of Bavaria agreement the constant aegis of the Crusade Abbey of Wies and its surroundings. The listed monument, which is anchored alfresco the boondocks in a adequate mural abutting to a attributes reserve, is adequate by a cardinal of acknowledged instruments (monument aegis law, attributes aegis law, architecture and planning law). Furthermore, the bounded development programme of the Free State of Bavaria contains a appropriate article according to which UNESCO World Heritage backdrop are to be adequate and maintained in acceptable condition.

The Free State of Bavaria is buyer of the Crusade Abbey of Wies. The acreage is managed beneath the albatross of the Crusade Abbey Foundation St Joseph. The State Architecture Appointment Weilheim is amenable for architecture issues, and the allocation amid the stakeholders is organised by the armpit manager, who is based in the authoritative commune appointment of Weilheim.

The administration arrangement consists of a set of aliment and attention measures to ensure the aegis of the acreage and the surrounding cultural mural by acceptable agriculture. More advice on company administration is provided in the Administration Plan and through the Periodic Reporting mechanism.

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